July 30, 2014


130186:

Zuhair Murad Haute Couture Fall 2014

130186:

Zuhair Murad Haute Couture Fall 2014

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dormanta:

Tanya Dziahileva in "Beauté Naturelle" by Carlotta Mainago for Mixte #62

dormanta:

Tanya Dziahileva in "Beauté Naturelle" by Carlotta Mainago for Mixte #62

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repeat from Festina, mox nox

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notordinaryfashion:

Schiaparelli Haute Couture Fall 2014-15

notordinaryfashion:

Schiaparelli Haute Couture Fall 2014-15

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repeat from NOT ORDINARY FASHION
dekonstruktivisme:

Detail of the installation for the retrospective ‘La Maison Martin Margiela (9/4/1612)’ at Museum Boijmans Van Beuningen, Rotterdam, 11 June — 17 August, 1997. 
Martin Margiela has already taken part in various exhibitions on contemporary fashion. His first solo exhibition was held in the Summer of 1997 in the Rotterdam Boijmans Van Beuningen Museum. It was a retrospective of his work, La Maison Martin MArgiela (9/4/1615). Eighteen dummies with Margiela creations, one silhouette from each collection, were arranged outside the Henket pavilion. The visitor stood on the inside and looked out: the opposite of window-shopping. 
The clothes had been treated with selected bacteria and moulds for four days. They had been stored in appropriate surroundings to enable the organisms to feed and multiply. Splendid discolorations were the result. The moulds, the discolorations and the wind brought the silhouettes to life. It was an extremely dramatic picture: the poetry of decay. 

dekonstruktivisme:

Detail of the installation for the retrospective ‘La Maison Martin Margiela (9/4/1612)’ at Museum Boijmans Van Beuningen, Rotterdam, 11 June  17 August, 1997. 

Martin Margiela has already taken part in various exhibitions on contemporary fashion. His first solo exhibition was held in the Summer of 1997 in the Rotterdam Boijmans Van Beuningen Museum. It was a retrospective of his work, La Maison Martin MArgiela (9/4/1615). Eighteen dummies with Margiela creations, one silhouette from each collection, were arranged outside the Henket pavilion. The visitor stood on the inside and looked out: the opposite of window-shopping. 

The clothes had been treated with selected bacteria and moulds for four days. They had been stored in appropriate surroundings to enable the organisms to feed and multiply. Splendid discolorations were the result. The moulds, the discolorations and the wind brought the silhouettes to life. It was an extremely dramatic picture: the poetry of decay. 

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miuccias:

sasha coming for gemma’s career

miuccias:

sasha coming for gemma’s career

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repeat from mannequin

July 29, 2014



devon aoki backstage at chanel s/s 2000

devon aoki backstage at chanel s/s 2000

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frackoviak:

VALENTINO SPRING 2008 | VLADA & GEMMA

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yaninahabrovich:

The Puppet Theatre

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cirquedufleur:

Hedvig Palm/Sept ‘13/ph. Alice Rosati

cirquedufleur:

Hedvig Palm/Sept ‘13/ph. Alice Rosati

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repeat from Fog Amp and Pearls
paintdeath:

Vivienne Westwood S/S12

paintdeath:

Vivienne Westwood S/S12

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rovrsi:

Anne V at Louis Vuitton A/W 2010-11

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repeat from #best

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repeat from let me live
lelaid:

Sasha Pivovarova by Steven Meisel for Giorgio Armani Beauty S/S 2009

lelaid:

Sasha Pivovarova by Steven Meisel for Giorgio Armani Beauty S/S 2009

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repeat from Chic as fuck.

sirensongfashion:

Alexander McQueen at Paris Fashion Week Spring 2012

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repeat from Sirensong Fashion